英语专业毕业论文范文.doc

1、A Research into the Construction of Englishness in Bleak HousebyLiu YiyanA thesis presented to the College of Foreign Languages of Zhejiang University of Technology in partial fulfillment of the requirements for the degree of Bachelor of ArtsMay, 2013Advisor: Zhang San1AcknowledgementsMy deepest gra

2、titude goes first and foremost to Professor Luo Jieying, my supervisor, for her constant encouragement and guidance. She has walked me through all the stages of the writing of this thesis. Without her consistent and illuminating instruction, this thesis could not have reached its present form. Secon

3、d, I would like to express my heartfelt gratitude to my teachers who help me to develop the fundamental and essential academic competence. I also owe my sincere gratitude to my friends and my fellow classmates who gave me their help and time in listening to me and helping me work out my problems dur

4、ing the difficult course of the thesis.Last but not least, Id like to thank all the people who had helped me and thank the help and support from college. AbstractRecently, “Englishness” has been an important and hot subject of debate in the western literary criticism. “Englishness” is the identity o

5、f British own nation and the process to delimitate their own estates. English novel, as the significant literary carrier of “Englishness”, is turned into the significant research field of “Englishness” unquestionably. The United Kingdom is a mighty state in the Victorian age, when “Englishness” is p

6、resented prominently. Bleak House is one of the novels written by Charles Dickens in his peak stage. This novel describes the lives of different classes under the new industrial revolution in the middle of the Victorian age. And in this novel there is deliberate contrast between city and countryside

7、. This thesis interprets the construction of “Englishness” through the visual description of house, idyllic landscape as well as the street and buildings in London in the novel Bleak House. Key words: Englishness; national identity; house; countryside; London内容摘要近年来，“英国性”成为西方评论界的一个重要主题，所谓英国性即英国人自己对本

8、民族的理解和认可，是自我身份的界定过程。作为“英国性”重要载体的英国小说自然是“英国性”研究的重要领域。维多利亚时期是英国最强盛的时期，英国性在这一阶段得到突出体现。小说荒凉山庄是查尔斯狄更斯在其创作最繁荣时期的重要小说之一，描写了维多利亚时期工业革命下英国不同阶级的生活状态，其中描绘的城市与乡村有着一个鲜明的对比。本论文欲从小说荒凉山庄中山庄及乡村景色和伦敦街道及建筑等的视觉性描写画面解读英国性的构建问题。关键词：英国性；民族认同；山庄；乡村；伦敦 ContentsI. Introduction .11.1 An Introduction to Bleak House and the Eng

9、lishness in Victorian Age.11.2 The Studies of Englishness heretofore.2II. The Country House and Englishness .42.1The Vigorous Perseveration of the English Country House. .52.2 Englishness and the English Countryside7 2.2.1 Anticipation to the Traditional Countryside.7 2.2.2 The Tendency of Englishne

10、ss Loss in Countryside.9III. The Portrait of the City and Englishness .103.1 The Downfall of the buildings in London.103.2 The Urge to Keep the Traditional Englishness in the City.12V. Conclusion.13References .14iiiI. Introduction1.1 An Introduction to Bleak House and the Englishness in Victorian Ag

11、eBleak House is a novel by Charles Dickens, published in 20 monthly installments between March 1852 and September 1853. It is the first of Dickens great panoramic novels, and it is as much a modern as a Victorian work in its embodiment of a contradiction in our thinking about society and the individ

12、ual. It is held to be one of Dickens finest novels, and in none of Dickens novels is the effect of division and discontinuity more pervasive than that in Bleak House, with its double plot, double time-scheme and double narrative conducted by two separate narrators with markedly different voices, per

13、spectives and value systems; particularly as Dickens avoids all the obvious ways of conferring symmetry on the divisions. At the novels core is long-running litigation in Englands Court of Chancery, Jarndyce v.s. Jarndyce, which has far-reaching consequences for all involved. This case revolves arou

14、nd a testator who apparently made several wills. The litigation, which already has consumed years and between 60,000 and 70,000 in court costs, is emblematic of the failure of Chancery. His harsh characterization of the slow, arcane Chancery law process gave memorable form to pre-existing widespread

15、 frustration with the system. Besides, in Bleak House, as a panoramic novel, are there amount of description about the countryside, city, the houses and the lives of different classes to show the social presence in Victorian age, which will be the main vehicle in this thesis to explore the construct

16、ion of Englishness in Bleak House.This thesis mainly researches the Englishness in Victorian age in Bleak House which Dickens revealed intentionally or unintentionally. This thesis tries to delve into the corners of English life in Bleak House, and it proceeds from the assumption that a definition o

17、f Englishness is not insular or unitary. The concept of Englishness is not a quantitative one but a relative one, which keeps firmly in the variations in the history. With the industrial revolution, Victorian age sees the development of cities, the innovation in technology and the corresponding chan

18、ges in life as well as the powerful empirethe empire on which the sun never sets. In this period, Englishness is complex and specifically regional. It can be divided into two sides, the “Southern” and “Northern” of Englishness, “with the Southern standing for order and tradition and defined as roman

19、tic, illogical, muddled, divinely lucky, Anglican, aristocratic, traditional, frivolous, and the Northern projecting a nation which is pragmatic, empirical, calculating, Puritan, bourgeois, enterprising, adventurous, scientific, serious and believes in struggle ” (Matless 1998: 17). The two sides se

20、em opposite and contradictory; however, they actually fuse together in confliction. English want to find a balance among all the above, so they have to compromise in the process to construct a more complex and diversified new Englishness. This thesis analyses the Englishness in Victorian age that En

21、glish swing from the tradition to modern, from inheritance to reform through the novel Bleak House. Charles Dickens or Britain is neither willing to give up their tradition and history, nor willing to miss the chance to develop the industry, economic, society and national power. Therefore, English c

22、ompromise with the two sides to form the Englishness in Victorian age.1.2 The Studies of Englishness heretoforeWhat is Englishness? The question has already been explored in the past by a wealth of studies but it continues to fascinate and to provoke thought. It is now acknowledged that the definiti

23、on anyone gives of Englishness depends on his or her own nationality: whether it is endogenous or exogenous, the definition will necessarily be very different. The fact is that the English have always been reluctant to provide their definition of Englishness. However, it is in fact very difficult to

24、 place the advent of Englishness as a feeling of nationalistic belongings, and Englishness was indeed not just a cultural and a religious phenomenon but also a fact of social and economic culture. There are indeed many ways of defining Englishness: the essentialists are in search of a common and sta

25、ble identity. Kate Fox, a social anthropologist, acknowledges that her aim was to:“Identify the commonalities in rules governing English behaviorthe unofficial codes of conduct that cut across class, age, sex, region, subcultures and other social boundaries. . . . By looking beyond the “ethnographic

26、 dazzle” of superficial differences, I found that Womens Institute members and bikers, and other groups, all behave in accordance with the same unwritten rulesrules that identify our national identity and character.” (Fox 2004: 2)Fox mainly focus on the same unwritten rules governing English behavio

27、r which is a view from the domestic perspective. She also maintains, with George Orwell, that this identity is continuous, it stretches into the future and the past; there is something in it that persists. Fox provides us a grammar of English behavior.The problem with Orwells famous description of “

28、old maids biking to Holy Communion through the mists of the autumn morning . . . solid breakfasts and gloomy Sundays, smoky towns and winding roads, green fields and red pillar boxes”(Orwell 1970:74-75) is that it could have applied to any nation within the United Kingdom. It is indeed shared, in th

29、e sense that is has also become stereotypical. The same goes for John Betjemans definition:“ For me England stands for . . . oil-lit churches, Womens Institutes, modest village inns, arguments about cow-parsley on the altar, the noise of mowing machines on Saturday afternoons, local newspapers, loca

30、l auction branch-line trains, light railways, leaning on gates and looking across fields”(Paxman 2009:151). Although some of these features are still valid as hallmarks of Englishness, they are mostly redolent of the kind of nostalgia expressed by Blake in “Jerusalem”, nostalgia for an immutable pas

31、toral England. Nostalgia may well be a permanent characteristic of the English people and indeed Ackroyd sees it as a “national mood” pervading the music of Vaughan Williams and Edward Elgar with the Victorian Age in particular a period of unremitting nostalgia. Krishan Kumar contends that “all that

32、 the English can really call upon is the highly selective, partly nostalgic and backward looking version of cultural Englishness elaborated in the late nineteenth century and continued into the next” (Kumar 2003: 269). And Jeremy Paxman defines the English as a people “marching backwards into the fu

33、ture.” It ensues from this that the English look for permanence through change and this is perhaps one of the main paradoxes of Englishness: it is both permanent and ever-changing, continuous and transient, fixed and flexible. As paradoxical as it may appear, the fact is that traditions look both ba

34、ckwards and forwards. Q. D. Leavis assumption that “a live tradition must obviously contain both continuity and innovation” (Leavis 1983:303) has been taken up again more recently by Eric Hobsbawm who refers to traditions that were invented specifically in fact for political reasonsto fit modern tim

35、es.And the cross fertilization between historiography, political, social, cultural and literary studies allows for the emergence of a composite image of Englishness as both a reality and an imagined representation. Echoes and correspondences between the different articles show not only that “the art

36、 of any country is an exact exponent of its ethical life” (Ruskin 1870: 39) but also that landscape and literature have much to say to each other or politics to music and vice versa. Clearly, Human Geography, Cultural and Literary studies and the new Cultural History have gone interdisciplinary. If

37、geography looks at literature, spatial practices are part of cultural studies. Recently years have brought excellent detailed studies of issues of landscape and Englishness in relation to painting, literature, photography and the country house, which arise a debate on the cultural effects of ruralis

38、m, nostalgia, and a concern for heritage. For some these are symptoms of cultural health, denoting a continuing concern for nature, for place, for roots; for others they signal only cultural decline, a country unable to face up to the modern world. Such arguments tend to assume that the rural, the n

39、atural and the historical are at odds with the modern. This thesis will research the construction of Englishness in Charles Dickens Bleak House mainly through the landscape, the rural and the modern city.II. The Country House and Englishness2.1 The Vigorous Perseveration of the English Country House

40、The English country house has an elitist power, though it has been weakening in face of the devastation of the rural economy and the growing hostility toward the aristocracy. The new industrial revolution brings the U.K. the prosperity of the industrial economy, while the agriculture begins to lose

41、his dominance. The unprecedented heritage appeals led a large of formerly fertile fields to be changed into the stretches of barren land and a large of once wonderful accommodations look bleak. All of above are presented in the novel Bleak House. The strong desire of Charles Dickens to preserve the

42、past as the foundation of individual and collective identity is implied in the country house.此处删除多段The similar vigorous perseveration can be seen in Richard Carstone, who is deeply involved in the Jarndyce suit. His insistence and crazy about the heritage reflect the importance of the heritage from

43、the family including the houses to him from a side, as “the houses are considered as the symbol of estate and prestige and are the achievement of several generations care” (陈景行 2011：327). Involved in the case, Richard changed much that he is no longer energetic and healthy but spiritless and tallow-

44、faced. Mr. Woodcourt “found him in a dull room, fadedly furnished; much as I had found him in his barrack-room but a little while before, except that he was not writing, but was sitting with a book before him, from which his eyes and thoughts were far astray” (Dickens 1993: 586). In order to inherit

45、 property, Richard pays dearly as he not only spends all his money, sells his military rank and even uses Ada Clares property, but also his health and life. However, Richard never gives up his pursuit to the heritage. Even on his deathbed, Richard is asking “when shall I go from this place, to that

46、pleasant country where the old times are when shall I go?”(Dickens 1993: 734) The pursuit of Richard to the case of Jarndyce v.s. Jarndyce is precisely the pursuit of the English, which is the process of identifying themselves in the new industrial era.The tragic result of Richard reveals the frustr

47、ation and helpless of Dickens. Dickens struggled to inherit and keep the tradition or old culture and style, however, all of his striving seems unavailing just like Richard the heritage has been spent up in the judicial proceedings. So Dickens has to compromise to the reality to accept and adapt him

48、self to the modern life and mindset with nostalgia for the past.2.2 Englishness and the English countryside In the speech delivered on May 6, 1924 on the meanings of Englishness, Stanley Baldwin, the former British prime minister, mentioned the honorable nature of the “Englishman”. For the home-loving prime minister, the love for England was closely related to an inborn love for home